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	<title>Librarienne</title>
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	<link>http://www.librarienne.com</link>
	<description>Cataloging the fiction, nonfiction, and poetry published in literary magazines</description>
	<lastBuildDate>Mon, 20 Feb 2012 01:14:12 +0000</lastBuildDate>
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		<title>What&#8217;s Important Is Feeling</title>
		<link>http://www.librarienne.com/fiction/whats-important-is-feeling/</link>
		<comments>http://www.librarienne.com/fiction/whats-important-is-feeling/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 21:14:45 +0000</pubDate>
		<dc:creator>Adam Wilson</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[the PARIS REVIEW]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=230</guid>
		<description><![CDATA[“What&#8217;s Important Is Feeling” appears on page 15 of the PARIS REVIEW 199, published in Winter 2011.]]></description>
			<content:encoded><![CDATA[<p></p><p>“What&#8217;s Important Is Feeling” appears on page 15 of <em>the PARIS REVIEW</em> 199, published in Winter 2011.</p>
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		<title>I Had a Man</title>
		<link>http://www.librarienne.com/poetry/i-had-a-man/</link>
		<comments>http://www.librarienne.com/poetry/i-had-a-man/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 21:11:29 +0000</pubDate>
		<dc:creator>Dorothea Lasky</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[the PARIS REVIEW]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=260</guid>
		<description><![CDATA[“I Had a Man” appears on page 90 of the PARIS REVIEW 199, published in Winter 2011.]]></description>
			<content:encoded><![CDATA[<p></p><p>“I Had a Man” appears on page 90 of <em>the PARIS REVIEW</em> 199, published in Winter 2011.</p>
]]></content:encoded>
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		<item>
		<title>Alexander&#8217;s Naming of Winds</title>
		<link>http://www.librarienne.com/poetry/alexanders-naming-of-winds/</link>
		<comments>http://www.librarienne.com/poetry/alexanders-naming-of-winds/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 20:39:54 +0000</pubDate>
		<dc:creator>Ange Mlinko</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[the PARIS REVIEW]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=214</guid>
		<description><![CDATA[&#8220;Alexander&#8217;s Naming of Winds&#8221; appears on page 116 of the PARIS REVIEW 199, published in Winter 2011.]]></description>
			<content:encoded><![CDATA[<p></p><p>&#8220;Alexander&#8217;s Naming of Winds&#8221; appears on page 116 of <em>the PARIS REVIEW</em> 199, published in Winter 2011.</p>
]]></content:encoded>
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		<item>
		<title>From the Lamiyya</title>
		<link>http://www.librarienne.com/poetry/from-the-lamiyya/</link>
		<comments>http://www.librarienne.com/poetry/from-the-lamiyya/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 20:39:54 +0000</pubDate>
		<dc:creator>Ange Mlinko</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[the PARIS REVIEW]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=212</guid>
		<description><![CDATA[&#8220;From the Lamiyya&#8221; appears on page 114 of the PARIS REVIEW 199, published in Winter 2011.]]></description>
			<content:encoded><![CDATA[<p></p><p>&#8220;From the Lamiyya&#8221; appears on page 114 of <em>the PARIS REVIEW</em> 199, published in Winter 2011.</p>
]]></content:encoded>
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		<item>
		<title>Randy Pausch&#8217;s The Last Lecture</title>
		<link>http://www.librarienne.com/etc/randy-pauschs-the-last-lecture/</link>
		<comments>http://www.librarienne.com/etc/randy-pauschs-the-last-lecture/#comments</comments>
		<pubDate>Sat, 12 Nov 2011 01:42:30 +0000</pubDate>
		<dc:creator>The Librarienne</dc:creator>
				<category><![CDATA[Effluvia]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=90</guid>
		<description><![CDATA[I read The Last Lecture quickly, huddled in the tiny, drafty studio apartment that I lived in for six months in Manhattan&#8217;s Koreatown following the end of a relationship for which I&#8217;d given up a great 1 BR on the Lower East Side. I was newly single, sleeping on the extra long twin bed that [...]]]></description>
			<content:encoded><![CDATA[<p></p><p style="text-align: left;">I read <a href="http://www.amazon.com/gp/product/1401323251/ref=as_li_ss_tl?ie=UTF8&amp;tag=xo00-20&amp;linkCode=as2&amp;camp=217145&amp;creative=399369&amp;creativeASIN=1401323251" target="_blank"><em>The Last Lecture</em></a> quickly, huddled in the tiny, drafty studio apartment that I lived in for six months in Manhattan&#8217;s Koreatown following the end of a relationship for which I&#8217;d given up a great 1 BR on the Lower East Side. I was newly single, sleeping on the extra long twin bed that I&#8217;d had since my youth, and I&#8217;d work all day at the company I&#8217;d started and then late in the evening would snuggle into bed and read books with WQXR playing softly on my clock radio.</p>
<p style="text-align: left;"><a title="Extra-long twin mattress and box spring, $37 by zinegrrl, on Flickr" href="http://www.flickr.com/photos/anp/4048719550/" target="_blank"><img class="aligncenter" src="http://farm3.static.flickr.com/2607/4048719550_a82c01b8f3_m.jpg" alt="Extra-long twin mattress and box spring, $37" width="180" height="240" /></a><br />
I guess, then, I read this book at the right time. It&#8217;s a story told by a Carnegie Mellon professor, more than a little cocky, who was dying of pancreatic cancer. The story is the last lecture that he gave, his reflections on life. While he comes across as just the kind of smart-ass I loathe, at the same time, I think I found parts of his personality despicable because he reminded me of, in part, me.</p>
<p>What follows are passages that spoke to me at the time:</p>
<p>From Chapter 4, &#8216;The Parent Lottery&#8217;:</p>
<blockquote><p>&#8220;Just because you&#8217;re in the driver&#8217;s seat,&#8221; [my father would] say, &#8220;doesn&#8217;t mean you have to run people over.&#8221;</p></blockquote>
<p>From Chapter 14, &#8216;The Dutch Uncle&#8217;:</p>
<blockquote><p>Anyone who knows me will tell you I&#8217;ve always had a healthy sense of myself and my abilities. I tend to say what I&#8217;m thinking and what I believe. I don&#8217;t have much patience for incompetence.</p>
<p>These are traits that have mostly served me well. But there are times, believe it or not, when I&#8217;ve come across as arrogant and tactless. That&#8217;s when those who can help you recalibrate yourself become absolutely critical.</p></blockquote>
<p>From Chapter 23, &#8216;I&#8217;m on My Honeymoon, But If You Need Me&#8230;&#8217;</p>
<blockquote><p><strong>Time must be explicitly managed, like money&#8230;</strong></p>
<p><strong>You can always change your plan, but only if you have one.</strong> I&#8217;m a big believer in to-do lists. It helps us break life into small steps. I once put &#8220;get tenure&#8221; on my to-do list. That was naive. The most useful to-do list breaks tasks into small steps. It&#8217;s like when I encourage [my son] Logan to clean his room by picking up one thing at a time.</p>
<p><strong>Ask yourself: Are you spending your time on the right things?</strong> &#8230;</p>
<p><strong>Develop a good filing system.</strong> When I told [my wife] Jai I wanted to have a place in the house where we could file everything in alphabetical order, she said I sounded way too compulsive for here tastes. I told her: &#8220;Filing in alphabetical order is better than running around and saying, &#8216;I know it was blue and I know I was eating something when I had it.&#8217;&#8221;</p>
<p><strong>Rethink the telephone&#8230;</strong></p>
<p><strong>Delegate.</strong> As a professor, I learned early on that I could trust bright, nineteen-year-old students with the keys to my kingdom, and most of the time, they were responsible and impressive. It&#8217;s never too early to delegate.</p>
<p><strong>Take a time out. </strong>It&#8217;s not a real vacation if you&#8217;re reading email or calling in for messages. When Jai and I went on our honeymoon, we wanted to be left alone. My boss, however, felt I needed to provide a way for people to contact me. So I came up with the perfect phone message:</p>
<p>&#8220;Hi, this is Randy. I wanted until I was thirty-nine to get married, so my wife and I are going away for a month. I hope you don&#8217;t have a problem with that, but my boss does. Apparently, I have to be reachable.&#8221; I then gave the names of Jai&#8217;s parents and the city where they live. &#8220;If you call directory assistance, you can get their number. And then, if you can convince my new in-laws that your emergency merits interrupting their only daughter&#8217;s honeymoon, they have our number.&#8221;</p>
<p>We didn&#8217;t get any calls.</p>
<p>Some of my time management tips are dead-on serious and some are a bit tongue-in-cheek. But I believe all of them are worth considering.</p>
<p>Time is all you have. And you may find one day that you have less than you think.</p></blockquote>
<p>From Chapter 24, &#8216;A Recovering Jerk&#8217;:</p>
<p>This chapter explains a 360 review methodology that he developed to help his students get better insight into their &#8216;growth opportunities&#8217; from a &#8216;team player&#8217; standpoint. Every two weeks, he&#8217;d have everyone in the class rate everyone else on stuff like:</p>
<ol>
<blockquote>
<li>Did his peers think he was working hard? Exactly how many hours did his peers think he had devoted to a project?</li>
<li>How creative was his contribution?</li>
<li>Did his peers find it easy or hard to work with him? Was he a team player?</li>
</blockquote>
</ol>
<p>From Chapter 29, &#8216;Earnest Is Better Than Hip&#8217;:</p>
<blockquote><p>Earnestness is highly underestimated. It comes from the core, while hip is trying to impress you with the surface.</p></blockquote>
<p>I highlighted the entirety of Chapter 31, &#8216;Let&#8217;s Make a Deal&#8217;, which begins:</p>
<blockquote><p>When I was in grad school, I developed the habit of tipping back in my chair at the dining-room table.</p></blockquote>
<p>From Chapter 35, &#8216;Start By Sitting Together&#8217;:</p>
<p>This chapter&#8217;s also worth reading in its entirety, especially if you intellectually understand the importance of &#8216;networking&#8217; but find it a wee bit vomitrocious on some levels.</p>
<blockquote><p><strong>Meet people properly:</strong> It all starts with the introduction&#8230;</p>
<p><strong>Find things you have in common</strong>: You can almost always find something in common with another person, and from there, it&#8217;s much easier to address issues where you have differences&#8230;</p>
<p><strong>Try for optimal meeting conditions:</strong> Make sure no one is hungry, cold or tired. Meet over a meal if you can; food <em>softens</em> a meeting&#8230;</p>
<p><strong>Let everyone talk:</strong> Don&#8217;t finish someone&#8217;s sentences&#8230;</p>
<p><strong>Check egos at the door&#8230;</strong></p>
<p><strong>Praise each other:</strong> Find something nice to say, even if it&#8217;s a stretch&#8230;</p>
<p><strong>Phrase alternatives as questions</strong>: instead of &#8220;I think we should do A, not B,&#8221; try &#8220;What if we did A, instead of B?&#8221;&#8230;</p></blockquote>
<p>From Chapter 39, &#8216;Be the First Penguin&#8217;:</p>
<blockquote><p>Experience is what you get when you didn&#8217;t get what you wanted.</p></blockquote>
<p>From Chapter 53, &#8220;Never Give Up&#8217;:</p>
<blockquote><p>&#8220;&#8230; If you&#8217;re going to be a salesman, you might as well be selling something worthwhile, like education.&#8221;</p></blockquote>
<p>From Chapter 59, &#8216;Dreams for My Children&#8217;:</p>
<blockquote><p>It can be a very disruptive thing for parents to have specific dreams for their kids. As a professor, I&#8217;ve seen many unhappy college freshman picking majors that are all wrong for them. Their parents have put them on a train, and too often, judging by the crying during my office hours, the result is a train wreck.</p></blockquote>
<p style="text-align: left;">I&#8217;m glad I read <a href="http://www.thelastlecture.com/" target="_blank"><em>The Last Lecture</em></a>.</p>
<p style="text-align: left;"><a title="YUAG lecture hall &gt; McNeil hall by zinegrrl, on Flickr" href="http://www.flickr.com/photos/anp/293723994/" target="_blank"><img class="aligncenter" src="http://farm1.static.flickr.com/114/293723994_b9d7c66729.jpg" alt="YUAG lecture hall &gt; McNeil hall" width="500" height="360" /></a><br />
I&#8217;m also glad that that relationship ended and that I lived in that drafty ground floor studio for six months. But I wish I hadn&#8217;t sold that bed on Craigslist!</p>
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		<title>Are Hardcover Book Prices Going Up?</title>
		<link>http://www.librarienne.com/etc/are-hardcover-book-prices-going-up/</link>
		<comments>http://www.librarienne.com/etc/are-hardcover-book-prices-going-up/#comments</comments>
		<pubDate>Mon, 24 Oct 2011 17:51:19 +0000</pubDate>
		<dc:creator>The Librarienne</dc:creator>
				<category><![CDATA[Effluvia]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=88</guid>
		<description><![CDATA[Have hardcover book prices been steadily increasing over the past two years?]]></description>
			<content:encoded><![CDATA[<p></p><p>When I first posted <a href="http://www.librarienne.com/2009/12/12/pablo-neruda-childhood-and-poetry/" target="_blank">Pablo Neruda&#8217;s &#8220;Childhood and Poetry&#8221;</a> in December of 2009, the price for a copy of the hardback in which the piece was printed (William Bennett&#8217;s <em>The Book of Virtues for Boys and Girls</em>) was around ten bucks:</p>
<p style="text-align: center;"><a title="The Book of Virtues by zinegrrl, on Flickr" href="http://www.flickr.com/photos/anp/6277171774/" target="_blank"><img class="aligncenter" src="http://farm7.static.flickr.com/6033/6277171774_a097527e26.jpg" alt="The Book of Virtues" width="500" height="92" /></a></p>
<p>Now, though,it&#8217;s <a href="http://www.amazon.com/gp/product/1416971254?ie=UTF8&amp;tag=xo00-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1416971254" target="_blank">$20.76 at both Amazon</a> and <a href="http://search.barnesandnoble.com/Book-of-Virtues-for-Boys-and-Girls/William-J-Bennett/e/9781416971252/?itm=1&amp;usri=william+bennett+the+book+of+virtues+for+boys+and+girls" target="_blank">Barnes &amp; Noble</a> (and Borders.com redirects to the product page on BN.com).</p>
<p>!!! Is this standard for book prices over the past couple of years, or is this an outlier?</p>
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		<title>The Plague by Albert Camus</title>
		<link>http://www.librarienne.com/etc/the-plague-by-albert-camus/</link>
		<comments>http://www.librarienne.com/etc/the-plague-by-albert-camus/#comments</comments>
		<pubDate>Mon, 19 Sep 2011 00:16:06 +0000</pubDate>
		<dc:creator>The Librarienne</dc:creator>
				<category><![CDATA[Effluvia]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=69</guid>
		<description><![CDATA[Fails the Bechdel test / Bloviations writ large / Not bad plane reading]]></description>
			<content:encoded><![CDATA[<p></p><h2>The Haiku</h2>
<p>Fails the Bechdel test / Bloviations writ large / Not bad plane reading</p>
<h2>The Short</h2>
<p>Lengthy films in Thailand, all other factors equal, fared better than short films on account of the dollars-per-minute air-conditioned respite they offered their viewers. So claims my mother. Perhaps wordy books in the olden days fared similarly well against their more tightly composed cousins. What else could explain the description of Albert Camus’ <em>The Plague</em> as one of “the great novels of the twentieth century”? The verbose and repetitive expositions, many of which spout fountains of philosophical blah blah blah stylistically (but not substantively) reminiscent of Ayn Rand, could possibly be defended as a device that cleverly subjects the reader to that which the citizens of plague-stricken Oran were subject. But a clever device, while fine for the pages of the Hammacher Schlemmer catalog, does not a great twentieth century novel make, and boy are those bold words for Mr. Book Jacket Writer to have penned when only 72% of the twentieth century was finished.</p>
<p>It would be interesting to see how a book like this would be edited today. Its message is fairly no duh (though perhaps it was for me, thanks to the existential lit class that I often skipped) but it afforded me a fictional glimpse at the north coast of Africa, and there are some cats who make an adorable appearance. Its narrative style reminded me, for some reason, of Graham Greene’s <em>The Captain and The Enemy</em>, but maybe this memory was conjured only by the feeling and scent of the yellowing paper onto which the text was printed.</p>
<h2>The Vocabulary Quiz</h2>
<p>Know all these words? Then you got me beat.</p>
<ul>
<li>assizes</li>
<li>carapaced</li>
<li>embrocation</li>
<li>fillip</li>
<li>imprimatur</li>
<li>lassitude</li>
<li>multitudinous</li>
<li>objurgations</li>
<li>parapet</li>
<li>pestiferous</li>
<li>pestilence; pestilential</li>
<li>strophes</li>
<li>tenterhooks</li>
<li>tocsin</li>
<li>tremolos</li>
<li>vouchsafed</li>
<li>weal</li>
</ul>
<h2>Stuff My Dad Likes</h2>
<p>The copy of <em>The Plague</em> that I read was ganked from my dad’s book collection. Highlighted in pencil decades ago by, presumably, my father:</p>
<blockquote><p>“The important thing isn’t the soundness or otherwise of the argument, but for it to make you think.” (Castel, p. 47)</p></blockquote>
<p>(Does it matter that my father is a devoted Republican?)</p>
<blockquote><p>It was undoubtedly the feeling of exile – that sensation of a void within which never left us, that irrational longing to hark back to the past or else to speed up the march of time, and those keen shafts of memory that stung like fire. (p. 67)</p></blockquote>
<p>I didn’t need to mark this, as I stumbled upon these words by James Baldwin in <em>Giovanni’s Room</em> years ago:</p>
<blockquote><p>Perhaps everybody has a garden of Eden, I don&#8217;t know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or; it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.</p></blockquote>
<p>Hmm. Maybe Camus said it better.</p>
<h2>Dad Intersection Daughter</h2>
<blockquote><p>Thus, in a middle course between those heights and depths, they drifted through life rather than lived, the pretty of aimless days and sterile memories, like wandering shadows that would have acquired substance only by consenting to root themselves in the solid earth of their distress. (p. 68)</p></blockquote>
<p>This reminds me of something I wrote in one my zine rants ages ago, something to the effect of my desire to tumble into a place where I am living and not simply existing. I wonder what my dad was thinking of when he highlighted the passage?</p>
<h2>Hats Off</h2>
<blockquote><p>When a war breaks out, people say: “It’s too stupid; it can’t last long.” But though a war may well be “too stupid,” that doesn’t prevent its lasting. Stupidity has a knack of getting its way; as we should see if we were not always so much wrapped up in ourselves. (pp. 35-36)</p></blockquote>
<p>Ain’t that the truth. And if you think not, perhaps you have not experienced the delight of working in a modern American corporation?</p>
<blockquote><p>People linked together by friendship, affection, or physical love found themselves reduced to hunting for tokens of their past communion within the compass of a ten-word telegram. And since, in practice, the phrases one can use in a telegram are quickly exhausted, long lives passed side by side, or passionate yearnings, soon declined to the exchange of such trite formulas as: “Am well. Always thinking of you. Love.” (p. 65)</p></blockquote>
<p>But are we not often hunting for tokens of affection in one way or another?</p>
<blockquote><p>The common lot of married couples. You get married, you go on loving a bit longer, you work. And you work so hard that it makes you forget to love. (p. 77)</p></blockquote>
<p>Oh, please say it isn’t so.</p>
<p>Says Rambert, a journalist from somewhere else stuck in Oran away from the woman he loves for the duration of the plague:</p>
<blockquote><p>“The truth is I wasn’t brought into the world to write newspaper articles. But it’s quite likely I was brought into the world to live with a woman.” (p. 80)</p></blockquote>
<p>He continues:</p>
<blockquote><p>“Public welfare is merely the <a href="http://xoxoanp.com/marketing/silos-are-optimization-killers/1699" target="_blank">sum total of the private welfares</a> of each of us.” (p. 80-83)</p></blockquote>
<p>!!!</p>
<blockquote><p>But again and again there comes a time in history when the man who dares to say that two and two make four is punished with death. (p. 125)</p></blockquote>
<blockquote><p>You could see, for instance, even the most intelligent among them making a show like all the rest of studying the newspapers or listening to the radio, in the hope apparently of finding some reason to believe the plague would shortly end. They seemed to derive fantastic hopes or equally exaggerated fears from reading the lines that some journalist has scribbled at random, yawning with boredom at his desk. (p. 173)</p></blockquote>
<p>Again, extrapolating from tokens …</p>
<blockquote><p>“At my age one’s got to be sincere. Lying’s too much effort.” (Tarrou, p. 192)</p></blockquote>
<p>Ain’t that the truth?</p>
<blockquote><p>A loveless world is a dead world, and always there comes an hour when one is weary of prisons, of one’s work, and of devotion to duty, and all one craves for is a loved face, the warmth and wonder of a loving heart. (p. 243)</p></blockquote>
<h2>Hats On</h2>
<p>“sensibilitiy” (sic) (p. 178)</p>
<h2>Context Clues</h2>
<ul>
<li>There followed objurgations, screams, batterings on the door, action by the police, and later armed force; the patient was taken by storm. (p. 85)</li>
<li> Whatever the reason might be, people living in the central districts realized that their turn had come when each night they heard oftener and oftener the ambulances clanging past, sounding the plague’s dismal, passionless tocsin under their windows. (p. 158)</li>
<li> The silent city was no more than an assemblage of huge, inert cubes, between which only the mute effigies of great men, carapaced in bronze, with their blank stone or metal faces, conjured up a sorry semblance of what the man had been. (p. 161)</li>
<li> And all the time nothing more important befell us than that multitudinous marking time. (p. 175)</li>
<li> Throughout the first act Orpheus lamented suavely his lost Eurydice, with women in Grecian tunics singing melodious comments on his plight, and love was hymned in alternating strophes. (p. 185)</li>
<li> Only a few people noticed that in his song of the second act Orpheus introduced some tremolos not in the score and voiced an almost exaggerated emotion when begging the lord of the Underworld to be moved by his tears. (p. 185)</li>
<li> Then the storm-wind passed, there came a lull, and he relaxed a little; the fever seemed to recede, leaving him gasping for breath on a dank, pestilential shore, lost in a languor that already looked like death. (p. 199)</li>
<li> [Rieux’s] lassitude had returned and from its depths he spoke, more gently: “[Grace is] something I haven’t got; that I know.” (p. 203)</li>
<li> Thus today God had vouchsafed to His creatures an ordeal such that they must acquire and practice the greatest of all virtues: that of the All or Nothing. (p. 208)</li>
<li> There was no question of not taking precautions or failing to comply with the orders wisely promulgated for the public weal in the disorders of a pestilence. (p. 211)</li>
<li> The young deacon, his head bowed to protect his face from the wind, replied that he saw much of the Father, had followed the evolution of his views, and believed his forthcoming pamphlet would be bolder still; indeed it might well be refused the imprimatur. (p. 212)</li>
<li> The authorities, who had long been desirous of giving a fillip to the morale of the populace, but had so far been prevented by the plague from doing so, now proposed to convene a meeting of the medical corps and ask for an announcement on the subject. (p. 219)</li>
<li> And then [Gonzales] fell to conjuring up, as best he could, the once familiar smell of embrocation in the dressing-rooms, the stands crowded with people, the colored shirts of the players, showing up brightly against the tawny soil, the lemons at intermission or bottled lemonade that titillated parched throats with a thousand refreshing pin-pricks. (p. 222)</li>
<li> Tarrou had moved and now was sitting on the parapet, facing Rieux, who was slumped back in his chair. (p. 228)</li>
<li> “There was a big case on at the assizes, and probably [my father] thought I’d see him to his best advantage.” (Tarrou; p. 230)</li>
<li> “I didn’t want to be pestiferous, that’s all.” (Tarrou; p. 232)</li>
<li> Every passenger had reserved his seat long in advance and had been on tenterhooks during the past fortnight lest at the last moment the authorities should go back on their decision. (p. 273)</li>
</ul>
<h2>The Plague Intersection Flannery O</h2>
<p>Tarrou remarked that he’d known a priest who had lost his faith during the war, as the result of seeing a young man’s face with both eyes destroyed.</p>
<blockquote><p>“Paneloux is right,” Tarrou continued. “When an innocent youth can have his eyes destroyed, a Christian should either lose his faith or consent to having his eyes destroyed. Paneloux declines to lose his faith, and he will go through with it to the end.” (p. 213)</p></blockquote>
<p>/</p>
<p><a href="http://www.amazon.com/gp/product/0679720219/ref=as_li_ss_tl?ie=UTF8&amp;tag=xo00-20&amp;linkCode=as2&amp;camp=217145&amp;creative=399369&amp;creativeASIN=0679720219" target="_blank">Albert Camus&#8217; <em>The Plague</em></a> on Amazon.com | Thoughts on <a title="Librarienne.com" href="http://www.librarienne.com/2011/06/04/flannery-oconnor-wise-blood/" target="_blank">Flannery O&#8217;Connor&#8217;s <em>Wise Blood</em></a></p>
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		<title>I Love Some Terra Firma In My Readings</title>
		<link>http://www.librarienne.com/etc/i-love-some-terra-firma-in-my-readings/</link>
		<comments>http://www.librarienne.com/etc/i-love-some-terra-firma-in-my-readings/#comments</comments>
		<pubDate>Mon, 29 Aug 2011 16:16:03 +0000</pubDate>
		<dc:creator>The Librarienne</dc:creator>
				<category><![CDATA[Effluvia]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=72</guid>
		<description><![CDATA[Pleasing moments but perhaps not enough in Maxine Hong Kingston's prose poem I Love A Broad Margin To My Life.]]></description>
			<content:encoded><![CDATA[<p></p><p>Picked up an uncorrected proof of Maxine Hong Kingston&#8217;s &#8220;unconventional memoir&#8221; <a href="http://www.amazon.com/gp/product/184655246X/ref=as_li_ss_tl?ie=UTF8&amp;tag=xo00-20&amp;linkCode=as2&amp;camp=217145&amp;creative=399373&amp;creativeASIN=184655246X" target="_blank">I Love A Broad Margin To My Life</a> a couple of months ago. It&#8217;s really a big long poem (free verse maybe? not sure if there&#8217;s a difference?), and for me, personally, I felt like I was sloshing through flooded language. The words and pictures oozed underfoot, and I felt grounded in nothing.  I rarely give up on books entirely &#8212; at the very least, I&#8217;ll read the first sentence of every paragraph &#8212; but I gave up on this a quarter of the way through. Just not my style.</p>
<p>(Admittedly, I am not fluent in the reading of poetry. This is possibly a stellar prose poem but I lack the literary sophistication to notice!)</p>
<p>Though, I learned the words &#8216;doubloon&#8217; and &#8216;enow&#8217;, and I do like these bits:</p>
<blockquote><p>Mother&#8217;s eyesight blurred; she saw trash as</p>
<p>flowers. &#8220;Oh. How very beautiful.&#8221;</p>
<p>She was lucky, seeing beauty, living</p>
<p>in beauty, whether or not it was there.</p>
<p>(p. 4)</p></blockquote>
<p style="text-align: center;"><a title="Bathroom window by zinegrrl, on Flickr" href="http://www.flickr.com/photos/anp/5604324284/" target="_blank"><img class="aligncenter" src="http://farm5.static.flickr.com/4099/5604324284_71bdd4bc36.jpg" alt="Bathroom window" width="500" height="333" /></a></p>
<blockquote>
<p style="text-align: left;">Everywhere wander people who have not</p>
<p style="text-align: left;">the ability to handle this world.</p>
<p style="text-align: left;">(p. 14)</p>
</blockquote>
<blockquote>
<p style="text-align: left;">
<p style="text-align: left;">When I</p>
<p style="text-align: left;">complete this sentence, I shall begin</p>
<p style="text-align: left;">taking my sweet time to love the moment-</p>
<p style="text-align: left;">to-moment beauty of everything. Every one. Enow.</p>
<p style="text-align: left;">(p. 223; final line)</p>
</blockquote>
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		<title>Gun, Rainbow, Husband, Key</title>
		<link>http://www.librarienne.com/fiction/gun-rainbow-husband-key/</link>
		<comments>http://www.librarienne.com/fiction/gun-rainbow-husband-key/#comments</comments>
		<pubDate>Fri, 01 Jul 2011 20:20:46 +0000</pubDate>
		<dc:creator>Amira Pierce</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[cream city review]]></category>
		<category><![CDATA[Winner - A. David Schwartz Fiction Prize]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=206</guid>
		<description><![CDATA[“Gun, Rainbow, Husband, Key” appears on page 173 of cream city review volume 35 issue 1, published in spring/summer 2011.]]></description>
			<content:encoded><![CDATA[<p></p><p>“Gun, Rainbow, Husband, Key” appears on page 173 of <em>cream city review</em> volume 35 issue 1, published in spring/summer 2011.</p>
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		<title>Great Lakes State</title>
		<link>http://www.librarienne.com/poetry/great-lakes-state/</link>
		<comments>http://www.librarienne.com/poetry/great-lakes-state/#comments</comments>
		<pubDate>Fri, 01 Jul 2011 20:17:20 +0000</pubDate>
		<dc:creator>Adam Moorad</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[cream city review]]></category>

		<guid isPermaLink="false">http://www.librarienne.com/?p=221</guid>
		<description><![CDATA[“Great Lakes State” appears on page 85 of cream city review volume 35 issue 1, published in spring/summer 2011.]]></description>
			<content:encoded><![CDATA[<p></p><p>“Great Lakes State” appears on page 85 of <em>cream city review</em> volume 35 issue 1, published in spring/summer 2011.</p>
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